In this Cyrillic lettering illustration in the Serbian language, the second letter becomes "pregnant" with an image of the unborn child.

Illustration for The New York Times Letters to the Editor page.

Illustration for The New York Times Letters to the Editor page.

Using a large-format hole-punch and sheet adhesive, I recycled old magazines to create these wall graphcs. Try this at home!

My submission to this Baltimore city-wide public project depicted the urban "conversation forrest," with languages and intonations growing and subsiding with each passing day.

A tight hallway in my home becomes a "passage through life" with a large-scale cyrillic type treatment featuring "zivot," the Serbian word for "life". With its exaggerated perspective, this work makes the obligatory nod to Russian Constructivism.

How does movement influence language? The movement of people across borders and pixels across a screen? Our exhibition, *Type/Life,* tackles these questions. Walking through or swinging back and forth in a thicket of floating words, one ponders migration and displacement as elemental markers of our time.

Artistic collaborators:
Nancy Froehlich, Nadra Moritz and Azin Valy.
Curator: Ljudmila Stratimirović.

This exhibition premiered at KC Grad—European Center for Culture and Debate, in Belgrade, Serbia, and was also shown at Oregon State University, Corvallis and MICA in Baltimore.

These works explore the relationship between the painter and her subject, either through in-person sittings or working from photos.

A series eight of plein-air watercolors from a road trip through New Zealand, plus a few extras from other places.
Watercolor on paper, 9 x 12 inches.
To celebrate the 13th birthday of KC Grad, and to address the suffering in the war in Ukraine, artistic director Ljudmila Stratimirovic commissioned artists and designers to create prints on the theme of *Peace and Love.* I created mine out of the abundance of dandelions near my home in North Wales, PA.

The exhibition was held at KC Grad, and later also at Design Week Novi Sad, the 2022 Cultural Capital of Europe. Proceeds from the sale of the prints went to benefit the victims of the war.
Using art history as source material, I created this loop from fragments of Renaissance paintings.
[Clik here to see the loop.](https://docs.google.com/presentation/d/e/2PACX-1vRXRArW1PZ89yjxIMxsnz5AWFHolyeoJp3oKDbGaFvB25uaYPTO9lwByUN3CDibtJBrNg5mr1haiAXp/pub?start=false&loop=false&delayms=3000)
A beautiful Walt Whitman poem dances across the screen in this ever changing loop made with code.

[*Click here to see a segment.*](https://drive.google.com/file/d/1-1ZainLFCCYMEvVGQ1CrLjhdZHqQDQ2m/view?usp=drive_link)

Sabbatical project from 2019 translating and interpreting a family legacy.

Multi-faceted sabbatical project

An ode to spring and to the forces of renewal bursting through all that is dormant. These landscapes announce the breathless beauty of the changing seasons, right there in the artist’s everyday vicinity. Take pause from the churn and for a moment experience something more immediate, more tactile. Amid the cycles of life, there is a hunger for renewal and a desire to share in the richness of bloom.
[Clik here to read the full artist statement.](https://docs.google.com/document/d/1NnoszhQZVS135q0xn_u5pzbCTxHl3wvLZcvwCnC5PFg/edit?usp=drive_link)
I was invited to take part in BELEF, the pre-eminent summer art festival in Belgrade, in a public display of graphic prints mounted on the facade of the Historical Museum of Serbia in the city center. In my submission, a figure with the iconic Balkan headscarf is enveloped—or torn apart?—by geographic cutouts of the new Balkan states. The background pattern resembles the actual iron grate on which the banner is hung.

Curator, Anica Tucakov.

Participating artists: Davor Bruketa, Nebojsa Cvetković, Lina Kovacević, Aleksandar Maćašev, Igor Milovanović, Zvezdana Rogić (my maiden name) and Chuck Sperry.

Typographic landscapes that evoke the reverie of gazing through airplane windows.